One More Thing began with a sense of abandon — paint applied fast and furious, putting colors and shapes onto the canvas before I could second-guess them. Then came the slower work: considering the relationships between each form, negotiating how so much variation could resolve into a whole.
In sum, I was using color and shape to show you what was in my mind. When I heard about Women Holding Things, I knew immediately this piece belonged here. That is precisely what it is.
Oil and cold wax on canvas
